{"id":83084,"date":"2020-09-06T12:00:36","date_gmt":"2020-09-06T10:00:36","guid":{"rendered":"https:\/\/nivaagaard.dk\/saerudstilling\/historier-om-moedre\/"},"modified":"2026-04-14T06:52:17","modified_gmt":"2026-04-14T04:52:17","slug":"historier-om-moedre","status":"publish","type":"saerudstilling","link":"https:\/\/nivaagaard.dk\/en\/special-exhibitions\/historier-om-moedre\/","title":{"rendered":"Stories about mothers"},"content":{"rendered":"
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Stories about mothers<\/span><\/h1>\n<\/div>\n<\/div>\n<\/div>\n
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SEPTEMBER <\/span>20. <\/strong>\u2013 JANUAR <\/span>24. <\/strong>2021<\/span><\/h3>\n<\/div>\n<\/div>\n<\/div>\n
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Few truths apply to everyone throughout all times \u2013 but we all have a mother. Within art history, the trope of the mother is among the most iconic. The exhibition <\/span>Stories About Mothers<\/em> examines the role of the mother within art and cultural history, placing particular focus on the Renaissance and the early 20th while looking also at contemporary art. Despite being centuries apart, artists all throughout the ages have been captivated by the image of the mother as a subject in art. Experience works by artists such as Lucas Cranach the Elder, Jens Juel, Berthe Morisot, Christian Krohg, Sir Joshua Reynolds, Michael Kvium and Alexander Tovborg together with excerpts from new Danish literature that compliments the works.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Mother of the ages<\/strong><\/h4>\n<\/div>\n<\/div>\n<\/div>\n
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Perhaps the most well known mother of all time is the Virgin Mary, loved and worshiped by many, and depicted by countless artists over the centuries. Despite our protestant and secularised culture here in Northern Europe, artistic depictions of the Madonna have played a considerable role in shaping our concept of the ideal mother \u2013 images of motherhood begin with religious representations of her. Mary is thus the embodiment of the ideal transcended into earthly representations of mothers. Art history is full of wonderful, heartfelt, loving depictions of mothers and their children in which we can see ourselves reflected and allow ourselves to be moved. But does art always match up with reality?<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Mothers today<\/strong><\/h4>\n<\/div>\n<\/div>\n<\/div>\n
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In today\u2019s modern vernacular we use terms like mama bear, soccer mom, career mum and tiger mum. We have all sorts of different names and words relating to motherhood, which tells us something about the focus we place on the subject. Although women now occupy many roles in our society, motherhood still holds a cherished place in our collective consciousness \u2013 on social media, in literature, in art and in popular culture. Expectations are huge, and around one in four new mothers experience a postpartum reaction; one in ten experience postpartum depression. We believe we are free to create our own selves, but in reality the individual is strongly influenced by external ideals and norms. Our notions of what it means to be a mother are largely influenced by artistic depictions from across the centuries. The visual history of motherhood is long and its influence is not at all easy to escape.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Depictions in literature<\/strong><\/h4>\n<\/div>\n<\/div>\n<\/div>\n
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Alongside art, new contemporary literature also plays a central role in the exhibition. Placed in juxtaposition with the older paintings, the literature in the exhibition articulates a discrepancy between the ideal depiction of motherhood and the reality of our daily lives. Controversial, vulnerable and imperfect mothers and the conflicting emotions that often go hand in hand with motherhood are not immediately presently in the art. Contemporary literature gives voice to an inner world which is much more tumultuous than the idealised images that are so prolific in art history before the 1900s.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\u201cIf I were to speak completely frankly about what it\u2019s like to be a mother then what I would say is this:<\/em><\/h4>\n

I think about taking my breasts and running off, leaving the boys to dry up into shrunken little heads that I can come back for and hang on my belt or set on my desk as trophies of some kind, or: I also think about leaving my breasts on the kitchen table with a note: Take the milk yourself, I might not come back. Mum\u201c.<\/em><\/h4>\n<\/div>\n<\/div>\n<\/div>\n
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Like a magic mirror for the ever giving and loving mother, this excerpt from author Hanne H\u00f8jgaard Viemose (b. 1977) is placed side by side with the painting collection\u2019s own Caritas<\/em> by Lucas Cranach the Elder (1472\u20131553). Caritas is a representation of charity, depicted as a mother who is always ready to breastfeed.<\/p>\n

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Danish artist Gudrun Hasle\u2019s (b.1979) photo of her pregnant belly with I have to be perfect<\/em> tattooed on one arm, which she uses to cradle to her tummy, is a strong yet vulnerable depiction of the mother\u2019s loving ambition to do the best for her child \u2013 a reminder that the ideal lives on.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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The special exhibition Stories About Mothers<\/em> is supported by: The Aage and Johanne Louis-Hansen Foundation, the Augustinus Foundation, the Knud H\u00f8jgaard Foundation and the New Carlsberg Foundation.<\/strong><\/h4>\n<\/div>\n<\/div>\n<\/div>\n
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Watch films from the museeum<\/span><\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n
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press<\/strong><\/h3>\n<\/div>\n<\/div>\n<\/div>\n
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Politikken<\/em><\/p>\n

L\u00e6s anmeldelsen her<\/strong><\/a><\/p>\n

\u201cMange mener, at det at f\u00f8de b\u00f8rn og derefter v\u00e6re mor er det mest naturlige man kan foretage sig som kvinde. Men p\u00e5 Nivaagaards nye udstilling st\u00e5r det hurtigt klart, at m\u00e5den, man er mor p\u00e5, har mere med kultur end natur at g\u00f8re. Og det udgangspunkt l\u00e6gger op til s\u00e5 mange diskussioner og interessante tanker\u00e6kker, at det er en sand forn\u00f8jelse.\u201d <\/em><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Kristeligt Dagblad<\/em><\/p>\n

L\u00e6s anmeldelsen her<\/strong><\/a><\/h1>\n

“Det er en berigende visuel rejse i denne helt fundamentale relation, som gennemtr\u00e6nger kulturen fra den tidlige kristendoms Jomfru Maria-dyrkelse til vore dages perfektionskrav til nybagte m\u00f8dre.\u201d<\/em> <\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Kulturkupeen<\/em><\/p>\n

L\u00e6s anmeldelsen her<\/strong><\/a><\/h1>\n

\u201cEndnu engang viser Nivaagaard en udstilling som p\u00e5 smukkeste vis binder fortiden og nutiden sammen. Med den let omskrevne H.C. Andersen titel \u201dHistorier om m\u00f8dre\u201d rammer udstillingen ned i den aktuelle opkvalificering af alt, som er kvindeligt. Men museet g\u00f8r det med ynde og ikke i en krampagtig eller kampberedt feminisme.\u201d<\/em> <\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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TV2 Lorry <\/em><\/p>\n

Kom forbi s\u00e6rudstillingen lige inden, den \u00e5bnede. Kig med her.<\/strong><\/a><\/h1>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
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P4 Weekend: <\/em><\/p>\n

Museumsinspekt\u00f8r Maren Bramsen fort\u00e6ller om den aktuelle s\u00e6rudstilling <\/strong><\/a><\/h1>\n

(minuttal 01:32:42 \u2013 01:43:50) P4 Weekend 25. oktober<\/strong><\/a><\/h1>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<\/div>\n

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